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Works in Stone from Giovanni Barbieri

From an original post at Architects and Artisans,  by J. Michael Welton

Giovanni Barbieri has been working in his family’s Italian stone business since 1975, when he was 14 years old.  By the time he was 18, he was made partner.

He’s known as a cutting-edge innovator when it comes to stonework, marble and tile
He strives for products and processes that no one else can reproduce.

“He keeps pulling rabbits out of his hat,” said Sara Baldwin, the American designer of stone and glass mosaics, whose New Ravenna recently signed Barbieri to become U.S. distributor of his work.  “He was the first one to actually popularize carved stone design in a tile form.”

He selects choice marble blocks for the lines he calls Marmot, Antico, Lucido and Timeworn.  “The market needs innovation in style, design and technology,” he said.   “I want to be able to produce something extremely nice that nobody else is able to.   If it’s produced at a reasonable price, it’ll be even better.”

He has a way of finishing the surfaces of marble tiles to create undulations – more
where the surface is soft, and less where it’s hard.  Sizes of tiles range from 12” x 12” to 12” x 24,” for floor, wall or backsplash applications.


“Everything can be bespoke,” Baldwin said.  “He can produce a more beat-up edge, or one that’s honed and polished   For the Timeworn line, which is a little less refined and more hard-surfaced, he put his tiles in the streets of Venice and Vicenza, to develop an authentic look, like they’d been walked on for 500 years.”

An artist himself, he’s also a big fan of painters Mark Rothko and Jackson Pollack.  “It’s important to have eyes to understand and not just see,” he said.  “I develop what I love, like building a family.  My instincts and what’s coming from the deep of my heart are what convinces me to try something new.”

Timeworn stone works with the new Belgian aesthetic, popularized by Restoration Hardware

His palette fits the current Belgian aesthetic of pure whites, light grays and touches of silver, to complement the looks of unfinished wood and grayish-white fumed oak.

“That’s one of the reasons that I’m attracted to him,” Baldwin, the mosaic stonecutter from the Eastern Shore of Virginia said.  But there’s more to it than that.  “His little factory in Italy is a parallel world with ours here,” she said.

See the entire collection of timeworn and unique marble mosaics.



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